HDTVs, projectors, and surround sound systems.
Leo from Buena Park thinks that buying a 4K TV is overdoing it right now because there just isn't enough content out there. Leo Laporte says that was true with the HD handover, and he'll see more flaws with a better resolution. HD has been quickly adopted and now everything is in HD. Leo Laporte thinks that will be likely with 4K as well, just not as fast. So it's up to him whether he wants to pay the extra money for 4K or just wait. But sooner or later, that choice will be made for him.
This week, Scott Wilkinson is at the "THE Show" (The Home Entertainment Show). Scott says it's a stereo home entertainment show and it's amazing just how popular stereo is. THE Show is at the Hotel Irvine and it's all about speakers, preamps, and power amps. There are also tube amps, which many love the sound of. Tube amps are very retro but the sound is fantastic. They aren't as powerful as solid state amps, though. It's all about a high resolution audio movement, which effects us more emotionally than mp3s.
Avis has a Sony LCD TV and she says that she's having trouble connecting her Bluetooth speakers and home theater to it. They work with her tablet and mobile phone, but not her Sony TV. Leo says that Sony doesn't put the A2DP Bluetooth profile in the TV OS (although this year's models do). That's probably why it can't pick it up. Also, only one device can connect to Bluetooth at a time. So she can't have it do double duty.
Doug has a 70" flat screen TV and it just died on him. He bought another slightly smaller one. Is it worth it to fix the broken one? Leo says maybe. It could be a failed power supply. If it's the screen itself, it's probably not worth fixing. But it wouldn't hurt to find a good TV repair guy to let him know. It's worth at least $1000 if he can.
Scott joins us to talk 4K TV. Leo's getting ready to buy a new OLED TV and Scott recommends going with LG. It has high dynamic range but also supports both standards Ultra HD Premium and HDR 10. Then you can stream no matter what standard services like Vudu support. The G6 is great, but the B6 is more affordable and if you don't need the included sound bar that the G6 has, the B6 is a better bargain.
Greg is in a rural area and he has a Panasonic Viera LCD. He got a new Asus router, but it won't work with it. Leo says he doesn't like smart TVs because they're dumber than a box of rocks. It's obvious that it can't connect. He could try running an ethernet cable to it. That's how Leo connects his Viera. Sometimes it takes a few minutes for the TV to realize it's online, so let it sit for awhile. If he can get onto any channel, then he can eliminate a hardware issue.
Jay wants to test his HDMI signal strength because he can't use his Mac with his TV. Monoprice has an HDMI tester. Leo thinks it's more likely a cable compatibility issue, though. He'll need to have the most recent HDMI spec and if his Mac is too old, that could be the issue. Apple doesn't want to really support copy protection issues.
Paul wants to buy a new TV. Is it a good time for that? Leo says yes. The new models are now out and he can get a great deal on last year's model. But Vizio has also announced the P-Series, which supports the new UltraHD Premium standard with 4K, HDR, and great dynamic range and color gamut.
So the Jungle Book came out and Leo says it's fantastic. But they made the deliberate choice to make a combination live action for the human actors, and then CGI for the rest of the animals in the Jungle. The reason is something called "the uncanny valley," which states that as humans, we are so fine tuned to how a human being should look and if it's the slightest bit off, we instantly see how fake it is. We don't get that with animals or other animated characters. So in the Jungle Book, it completely works.
Scott is back from NAB and he went early to attend the "Future of Cinema" conference. He saw a film by Ang Lee that was shot in native 3D on a pair of Sony F65 Cinema Cameras at 120fps. 5 times more than standard 24p. Scott says that for showcasing the film in conventional theaters at 120 fps, they will have to project it in 2K. Some say it looks like video, not a movie. But Scott says that's because we're so used to the way it's looked for the last 100 years. Now that we have better technology, we should keep moving forward. And theaters can always down shift the frame rate.