The question of the day is: what's more important, video or audio? Scott says that a movie without sound is called a silent movie. But on the other hand, a movie without an image is called radio. So Scott believes they are equally important, like the Yin and Yang of home theater. However, the bad audio can really make the home theater experience terrible, which is why surround sound and home theater really exists.
Scott saw "Pixels" and he enjoyed it because it appealed to his inner nerd. The graphics are gorgeous. He went to see it because it was shown in Dolby Vision's High Dynamic Range. There's only five theaters in the US that support it. The next movie in HDR will be Mission Impossible: Rogue Nation.
Scott went to see Inside Out in Dolby Vision HDR and he says it was really good, especially in HDR. But he was a bit puzzled as to why it didn't get released in 3D.
Scott joins the show today to talk about the latest in high frame rate. For the last 100 years we've watched movies at 24fps because film was expensive and that was the slowest you can run a projector and maintain a fluid movement. But now, with digital, more directors are experimenting with higher frame rates for a more realistic depiction of the story. Leo says that some people think it looks better. But the argument is that there are people who really love HFR, and some who absolutely hate it. Like 3D.
Scott keeps getting questions about when to buy a new Ultra High Definition TV, and he says it's all in the timing. Unless you're an early adopter that has money to burn on a new TV every year or two, the timing just isn't right to get a 4K TV. Sure, prices have dropped, but there isn't a standard that is wide spread just yet. Plus, with four times the resolution, you either have to get a screen that is over 70" or you have to sit up to half as close. Otherwise, you lose the benefit of the additional resolution and you may as well own an HDTV.
This week on HTG, Scott is having on Jim Hellman, an expert in high dynamic range cinema and how it's really making the movie image pop and will be a main focus in the standards of 4K and ultra high definition.
Scott says that HDR will change the way we see movies. But Leo believes that it could be much ado about nothing since people are generally happy with their HDTVs. Scott says that HDR has the promise to drive people back to the theaters, rather than wait to watch movies on their home theater system.
Scott is going to see Disney's Tomorrowland this week and he gets to see it in Dolby Cinema, Dolby's new Laser projection system. Scott says that Tomorrowland is the first movie to be featured with Dolby's new High Dynamic Range format. Scott says that HDR may just get more people to go back to the movies, rather than just rely on their HD Home theater systems to watch a movie.
Scott spend the week watching Avengers: Age of Ultron in various versions, including 3D and laser projected. He's coming around to Leo's point of view that 3D just isn't that great a format. Laser projection, by contrast, gives you a brighter image, and when it's Laser 3D, it works quite well unless you wear prescription glasses, where the polished inner surface bounces light around and the reflection is quite distracting. So he's quickly starting to see Leo's point. Leo likes the idea of immersion, and the more realistic a movie the better.
John from New York calls in to ask Scott a Home Theater question - John has a Samsung Plasma HDTV that's starting to get horizontal lines and was told that to avoid replacing it, if he can replace the "Y axis" board to repair it. Thoughts? Scott says that it could be some sort of driver circuitry and it begs the question ... should you repair it or replace it with an LED TV. The rule of thumb is to keep replacement parts for up to 7 years, so there may be parts available for at least the next few months.
Scott went and saw Furious 7 at the TCL Chinese Theater, where he saw it in IMAX with their new laser illuminated projectors. Scott says it was some of the best projected images he's ever seen. Amazingly deep blacks, bold colors, and incredibly bright. But even then, it can't project in high dynamic range like the Christie laser projector across the street at the El Capitan. It's still an amazing new technology, though. The good news is that the laser illuminated projection means you don't need a silver screen to project it. Which is great for 2D movies.