Scott says that the consumer industry has decided not to go all in on OLED, rather they will continue to focus on LCD TVs. LCDs are getting better, even approaching OLED. Sony's Z series is one such series. Scott says that the backlight in the Z series has independent LED backlights that get dimmed separately for precision control. Scott says that they are the brightest on the market and the HDR footage he's seen is remarkable, with incredible detail at extreme ends of the dynamic range. But they aren't cheap. They're around $8,000 to 10,000 for up to 65".
Scott joins us to talk about how to get the darkest possible room to enjoy your home theater. Scott has blackout curtains, 10% gray painted walls, and even black carpeting. All that serves to create a black hole for light that will give his home theater the brightest possible look while watching. Scott also uses a special woven projector screen which has a pass through feature for audio just like in a movie theater.
Scott says when choosing a TV for a computer monitor, it would be best to get 4K or even an OLED TV. In fact, a curved OLED would make for an ideal computer monitor because it's designed for optimal viewing in the center. It really comes down to reading the text. The sharper it is, the easier it would be on the eyes.
Home Theater Questions:
Scott has more on last week's Value Electronics Annual TV Shootout. It tests the top of the line flagship HDTVs to see which is the best of the best. It's a popular vote that looks at black qualities, contrast, color accuracy, and other metrics. The top four were the LG G6 OLED, Samsung KS9800, and the Sony X940D. The LG OLED won for the fourth year in a row.
Scott saw Independence Day Resurgence last night. It was a little disappointing and felt like there were too many writers in the room. It was fun to see the band back together 20 years later, though, and there was lots of nostalgia. The younger actors don't bring it as well, though. It did look fantastic in Dolby Cinema, at least. This gives you the movie in high dynamic range through Dolby Vision and Dolby Atmos. It really is the way to see it. It'll cost more, but it's really worth it. Scott has a list here.
Scott joins us to talk about E3 and Microsoft's announcement of the new XBox One S, which will offer not only 4K gameplay, but will have a 4K Blu-ray player as well. For $299, it'll be the most affordable UHD Blu-ray player on the market. It also has the new HDCP 2.2 copy protection, so every bit of the chain will have to support that or you won't be able to watch movies on it.
Microsoft also announced Project Scorpio, which is next year's game player. You'll also need a 4K receiver and Scott says you can get one in the $500 range that also gives you HDR, Atmos, and 4K.
Scott Wilkinson interviewed engineers from Lytro this week, talking about their new Cinema Light Field Camera, which will allow filmmakers to change everything from depth of field to shutter speed to frame rate, all after the fact.
This week, Scott Wilkinson is at the "THE Show" (The Home Entertainment Show). Scott says it's a stereo home entertainment show and it's amazing just how popular stereo is. THE Show is at the Hotel Irvine and it's all about speakers, preamps, and power amps. There are also tube amps, which many love the sound of. Tube amps are very retro but the sound is fantastic. They aren't as powerful as solid state amps, though. It's all about a high resolution audio movement, which effects us more emotionally than mp3s.
Scott attended a meeting that indicated that virtual reality is the next great trend in cinematography. It's in its infancy, but cinematographers should start experimenting with shooting in VR by using cheaper cameras like the Ricoh Theta S. Leo says that may be true, but he prefers to be told a story, and told what to look at. When you're looking around, if you think about it, the story teller has failed in telling that story.
Leo does say that Virtual Reality is great for gaming though.
So the Jungle Book came out and Leo says it's fantastic. But they made the deliberate choice to make a combination live action for the human actors, and then CGI for the rest of the animals in the Jungle. The reason is something called "the uncanny valley," which states that as humans, we are so fine tuned to how a human being should look and if it's the slightest bit off, we instantly see how fake it is. We don't get that with animals or other animated characters. So in the Jungle Book, it completely works.