Scott joins us again to talk more about The Hobbit in HFR. Scott saw it in AMC ETX with Dolby Atmos and found it to be very compelling.
David worked on the The Hobbit by supplying aerial camera equipment for the helicopter film scenes. He saw the movie in 48p and he found it odd looking. Leo says he's a Peter Jackson fan and loves Lord of the Rings, and he's interested in seeing it for himself. But there are those who say that The Hobbit is not the ideal example because of how it was made in HFR. Leo has a hunch when 48p is the norm, we'll look back and wonder what the big deal was about.
Scott Wilkinson went to see The Hobbit last night, not only in HFR, but also in Atmos. Sadly though, the projector crashed and he couldn't see it. Leo says that digital projectors are just computers and sometimes, they crash. The great irony is that it was a special screening of media by Dolby for the HFR and Atmos presentation. And the great irony is, that while there was a Dolby tech there to handle any Atmos issues, there was no projector tech.
Scott is getting ready for TubaChristmas Los Angeles, coming December 16th! With performances also happening all over the country. But he's also here to talk about the Hobbit: An Unexpected Journey, which will be playing in six different formats across the country, including 3D HFR (High Frame Rate). But the best will be in theaters that have Dolby Atmos.
Shot at 48 frames per second (known as high frame rate - HFR), Peter Jackson's Tolkein epic "The Hobbit: An Unexpected journey comes to theaters next week. Jackson shot at 48p in order to create the sharpest possible image to help the audience get immersed into the story. There's been some resistance because people say it doesn't look "film like," (or shot at 24 fps). But Scott says it'll look fabulous. Detailed. Crisp and clear. But the problem is, it starts looking less like film and more like video.